Color Workbook

<p><strong>In this Section:</strong></p> <p>1. Brief Table of Contents</p> <p>2. Full Table of Contents</p> <p> <br></p> <p><strong>1. BRIEF TABLE OF CONTENTS</strong></p> <p><strong>PART ONE COLOR STUDY</strong><br>Chapter 1 The Nature of Color: Color Physics and Perception <br>Chapter 2 The Color Circle and Color Systems: An Exploration <br>Chapter 3 Attributes of Color <br>Chapter 4 Color Interaction <br>Chapter 5 The Materials of Color <br>Chapter 6 Computer Color<br><strong>PART TWO DESIGNING WITH COLOR <br></strong>Chapter 7 The Elements of Design <br>Chapter 8 The Principles of Design <br>Chapter 9 Color Schemes and Harmonies <br>Chapter 10 Designing with Color <br>Chapter 11 Expressive Color <br>Chapter 12 Color in Art <br></p> <p> <br></p> <p><strong>2. FULL TABLE OF CONTENTS</strong></p> <p><strong>PART ONE COLOR STUDY </strong></p> <p><strong>Chapter 1: The Nature of Color: Color Physics and Perception <br></strong>Introduction <br>Color Physics Primary Colors of Light<br>Additive Color System <br>Color Perception <br>Additive Color Media <br>Subtractive Color System The Relationship of Additive and Subtractive Color <br>Complementary Colors <br>Local and Relative Color <br>Activities</p> <p><strong>Chapter 2: The Color Circle and Color Systems: An Exploration <br></strong>Introduction <br>Color Circles and Systems—A Brief History <br>Color Circles—A Rationale <br>The Traditional Subtractive Color Circle <br>Hues—Components of a Color Circle <br>Achromatics and the Color Circle <br>Hue Contrast <br>Hue Relationships on the Color Circle Color Proportion <br>Activities</p> <p><strong>Chapter 3: Attributes of Color <br></strong>Introduction<br>Hue Value Saturation Activities</p> <p><strong>Chapter 4: Color Interaction <br></strong>Introduction <br>Color Relativity—Chevereul and Albers Optical Mixtures Other Types of Color Interaction Color Transparency Activities</p> <p><strong>Chapter 5: The Materials of Color <br></strong>Introduction <br>Physical Color Materials Process Materials Activity</p> <p><strong>Chapter 6: Computer Color <br></strong>Introduction <br>Computer Color Basics <br>The Color Monitor <br>Bit Depth <br>Bitmap and Vector-Based Programs Types of Digital Software <br>Types of Image Files <br>Computer Tools Using Computer Color Color Management <br>Activities</p> <p><strong>PART TWO DESIGNING WITH COLOR </strong></p> <p><strong>Chapter 7: The Elements of Design <br></strong>Introduction <br>The Abstract Concepts of Design <br>The Picture Plane <br>Design Elements Activities</p> <p><strong>Chapter 8: The Principles of Design <br></strong>Introduction <br>Order and Chaos <br>Gestalt Theory in Design <br>Design Principle—Unity Economy <br>Design Principle—Emphasis Design Principle—Balance Design Principles—Proportion and Scale <br>Design Principles—Movement and Rhythm Activities</p> <p><strong>Chapter 9: Color Schemes and Harmonies <br></strong>Introduction <br>Simple Color Harmonies Contrasting or Opposing Harmonies Balanced Color Harmonies Keyed Color Harmonies <br>Informal Color Harmonies <br>Activities</p> <p><strong>Chapter 10: Designing with Color <br></strong>Introduction<br>Color Unity Color EmphasisColor Balance Color to Depict Form, Light, and Space Color Rhythm and Movement <br>Activities</p> <p><strong>Chapter 11: Expressive Color <br></strong>Introduction<br>Color Psychology<br>Color Symbols<br>Environmental Color</p> <p>Color Harmony versus Color Discord <br>Color Preference<br>Color Expression<br>Free-Form Color Harmony<br>Thematic Color <br>Activities</p> <p><strong>Chapter 12: Color in Art <br></strong>Introduction<br>Reflected Light—Mosaics<br>Primacy of Form—The Renaissance Light and Movement—The Baroque Poetry in Color—Romantic Period Time and Place—Impressionism Simple Elegance—Japanese Art Color Expression—Neoimpressionism Fauvism and Beyond Movement in Space—Futurism Color Utopians—Modernism and Purism</p> <p>Pierre Bonnard—Premier Colorist <br>Inner Light—Abstract ExpressionismCommercial Color and CultureLight Reflected—Minimalism and Beyond<br>Color and ConceptPigment and Ritual—Anish Kapoor <br>Color in Installation and Image Color in Light and Space <br></p>