Creativity and Morality

<p>SECTION I. INTRODUCTION<br>1. The AMORAL model of dark creativity<br>2. An interdisciplinary perspective on creativity and morality<br>3. Beyond malevolent and benevolent: Why creativity and morality have more in common than we expect<br>4. Morality and creativity</p> <p>SECTION II. CREATIVITY, MORALITY, AND THE ARTS <br>5. The relation between aesthetic and moral sensitivity<br>6. Can you or will you imagine? Ability and willingness to imagine fictional scenarios depends on the type of imaginary world<br>7. Video games, morality, and empathy</p> <p>SECTION III. CREATIVITY, MORALITY, AND ORGANIZATIONS/TECHNOLOGY <br>8. Counterproductive work behaviors and creativity<br>9. The relationship between creativity and (un)ethical behaviors among employees and leaders<br>10. Creativity and morality in the world of technology: The intersection of creativity, design, and responsible problem solving</p> <p>SECTION IV. DARK INFLUENCES ON CREATIVITY AND MORALITY <br>11. Creativity and individual and tribal ethical behavior<br>12. Creativity, malevolent creativity, and the Dark Triad<br>13. The intersection of morality, creativity, and deception</p> <p>SECTION V. CREATIVITY, MORALITY, AND THE SELF <br>14. The mixed moral implications of the creative identity<br>15. The intersections of creativity and complex moral/immoral emotions<br>16. Morality and creativity</p>