The Palgrave Handbook of Digital and Public Humanities

<p>Chapter 1: Introduction.- Part I: Scholarship, Creative Practice and Engaging with “Publics”.- Chapter 2: Hybrid Humanities and Hybrid Education: Higher Education in, with and for the Public.- Chapter 3: Experiential Education as Public Humanities Practice.- Chapter 4: Open-Data, Open-Source, Open-Knowledge: Towards Open-Access Research in Media Studies.- Chapter 5: Adventures in Digital and Public Humanities: Co-Producing Trans History Through Creative Collaboration.- Chapter 6: SémantiQueer: Making Linked Data Work for Public History.- Chapter 7: Working with Incarcerated Communities: Representing Women in Prison on Screen.- Part II: Making Memory, Making Community.- Chapter 8: Publics, Memory, Affect (or, Rethinking Publicness with Peter Watkins and Hannah Arendt).- Chapter 9: The Role of Digital and Public Humanities in Confronting the Past: Survivors’ of Ireland’s Magdalene Laundries Truth Telling.- Chapter 10: The Precarious Digital Micropublic of #MeToo: An Ethnographic Account of Facebook Public Groups and Pages.- Chapter 11: Literature, Technology, Society: A Digital Reconstruction of Cultural Conflicts in Chinua Achebe’s Things Fall Apart.- Chapter 12: Multilingual Handwritten Text Recognition (MultiHTR) or Reading Your Grandma’s Old Letters in German, Russian, Serbian and Ottoman Turkish with Artificial Intelligence.- Part III: Mobilizing the Archive.- Chapter 13: Open Pedagogy and the Archives: Engaging Students in Public Digital Humanities.- Chapter 14: Practices and Challenges of Popularizing Digital Public Humanities During the COVID-19 Pandemic in Japan.- Chapter 15: Breaking the “Class” Ceiling: The Challenges and Opportunities of Creating a Digital Archive of Edwardian Working-Class Book Inscriptions.- Chapter 16: Learning Seneca: A Case Study on Digital Presentations of North American Indigenous Languages.- Part IV: Digital Cultural Heritage.- Chapter 17Acting on the Cultural Object: Digital Representation of Children’s Writing Culturesin Museum Collections.- Chapter 18: A Data-Driven Approach to Public-Focused Digital Narratives for Cultural Heritage.- Chapter 19: “People Inside”: Creating Digital Community Projects on the YARN Platform.- Chapter 20: 3D Modelling of Heritage Objects: Representation, Engagement and Performativity of the Virtual Realm.- Chapter 21: Making Museum Global Impacts Visible: Advancing Digital Public Humanities from Data Aggregation to Data Intelligence.- Part V: Engaging Space and Place.- Chapter 22: Maps, Music and Culture: Representing Historical Soundscapes through Digital Mapping.- Chapter 23: Civic Interaction, Urban Memory, and the Istanbul International Film Festival.- Chapter 24: Look at the Graves!: Cemeteries as Guided Tourism Destinations in Latvia.- Part VI: Public Discourse, Public Art and Activism.- Chapter 25: Public Historians, Social Media, and Hate Speech: The French Case.- Chapter 26: The Public Artist as a Fringe Agent for Sustainability: Practices of Environmentalist Driven Art-Activism and their Digital Perspectives.</p><br>