Wittgenstein on Aesthetic Understanding

<p>Introduction: Garry L. Hagberg.- PART I: THE AESTHETIC DIMENSION OF WITTGENSTEIN’S PHILOSOPHICAL WORK.- 1. The Aesthetic Dimension of Wittgenstein’s Later Writings: William Day.- 2. Improvisation and Imagination in Wittgenstein’s Philosophical Investigations: Beth Savickey.- 3. Wittgenstein, Music, and the Philosophy of Culture: Garry L. Hagberg.- PART II: NARRATIVE, INTERPRETATION, AND LITERARY LANGUAGE.- 4. Is a Narrative a Something or a Nothing?: Robert Chodat.- 5. Narrative Aspect Change and Alternating Systems of Justice: A Wittgensteinian Reading of Borges: Shlomy Mualem.- 6. Thinking the Poem: Bishop’s Transcendental “Crusoe in England” (For Example): Walter Jost.- PART III: MUSICAL UNDERSTANDING.- 7. Wittgenstein on Musical Depth and Our Knowledge of Humankind: Eran Guter.- 8. Wittgenstein and the Inner Character of Musical Experience: Gary Kemp.- 9. Wittgenstein's Criticism of a 'Science of Aesthetics' and the Understanding of Music: Alessandra Brusadin.- PART IV: EXPERIENCING ART AND PERCEIVING PERSONS: AN INTIMATE CONNECTION.- 10. The Philosophy of the Face: Bernard Rhie.- 11. Seeing Stars: The Reception and Ontology of Movie Stars: David Goldblatt.- 12. If an Artwork Could Speak: Aesthetic Understanding After Wittgenstein: Constantine Sandis.-&nbsp;Index.</p>