Tells the story of Al Qaeda from its roots up to 9/11. This title investigates the extraordinary group of idealogues behind this organization - and those who tried to stop them.  Meer

Originally published in 1983, this book is about the way we see things – or think we do, which is by no means the same – and about the ways in which we have tried to reproduce that visual concept in diagrams, pictures, photographs, films and television.  Meer

Originally published in 1983, this book is about the way we see things – or think we do, which is by no means the same – and about the ways in which we have tried to reproduce that visual concept in diagrams, pictures, photographs, films and television.  Meer

The Terror Years is a collection of ten powerful pieces by Pulitzer Prize-winner Lawrence Wright, first published in The New Yorker, charting the path of terror in the Middle East from the rise of al-Qaeda to ISIS.  Meer

The New York Times bestselling investigation into Scientology by Pulitzer Prize-Winner Lawrence Wright now published for the first time in the UK and...  Meer

The Bible, as this book demonstrates, plays a key role in nearly all D. H. Lawrence's work. It supplies not only the inspiration but on occasion the target for his parody.  Meer

The Bible, as this book demonstrates, plays a key role in nearly all D. H. Lawrence's work. It supplies not only the inspiration but on occasion the target for his parody.  Meer

This unique volume salutes the work of pioneering forensic psychologist Lawrence S. Wrightsman, Jr., by presenting current theorizing and research findings on issues that define the field of psychology and law.  Meer

This unique volume salutes the work of pioneering forensic psychologist Lawrence S. Wrightsman, Jr., by presenting current theorizing and research findings on issues that define the field of psychology and law.  Meer

This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and fashioned through a Renaissance awareness that needs to be recognized as European, and that has had effects and afterlives across the Continent.  Meer

This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and fashioned through a Renaissance awareness that needs to be recognized as European, and that has had effects and afterlives across the Continent.  Meer