W. B. Yeats is recognised globally as one of the most significant poets of the past century. And yet, in his Nobel address, he singled out his work in the theatre as his main accomplishment.  Meer

From the first book printed in Ireland in the sixteenth century, to the globalised digital media culture of today, Christopher Morash traces the history of forms of communication in Ireland over the past four centuries: the vigorous newspaper and pamphlet culture of the eighteenth century, the spread of popular literacy in the nineteenth century, and the impact of the telegraph, telephone, phonograph, cinema and radio, which arrived in Ireland just as the Irish Free State came into being.  Meer

From the first book printed in Ireland in the sixteenth century, to the globalised digital media culture of today, Christopher Morash traces the history of forms of communication in Ireland over the past four centuries: the vigorous newspaper and pamphlet culture of the eighteenth century, the spread of popular literacy in the nineteenth century, and the impact of the telegraph, telephone, phonograph, cinema and radio, which arrived in Ireland just as the Irish Free State came into being.  Meer

While most accounts of Irish theatre begin with the Abbey theatre, Chris Morash's comprehensive study goes back three centuries earlier to Ireland's first theatre.  Meer

Dublin: A Writer's City can be imagined as a map of one of the world's great literary cities, taking the reader, area-by-area, through the neighbourhoods that shaped – and were shaped by – writers including Jonathan Swift, James Joyce, Anne Enright and Sally Rooney.  Meer

Dublin: A Writer's City can be imagined as a map of one of the world's great literary cities, taking the reader, area-by-area, through the neighbourhoods that shaped – and were shaped by – writers including Jonathan Swift, James Joyce, Anne Enright and Sally Rooney.  Meer

A reassessment of the term 'atheism' in the context of contemporary French philosophy  Meer

Phenomenology or Deconstruction? challenges traditional understandings of the relationship between phenomenology and deconstruction through new readings of the work of Maurice Merleau-Ponty, Paul Ricœur and Jean-Luc Nancy.  Meer

Christopher Watkin provides a true overview of Serres’ thinking. Using diagrams to explain Serres’ thought, the first half of the book carefully explores Serres’ ‘global intuition’and ‘figures of thought’.  Meer

Alain Badiou, Quentin Meillassoux, Catherine Malabou, Michel Serres and Bruno Latour: this comparative, critical analysis shows the promises and perils of new French philosophy's reformulation of the idea of the human.  Meer

Alain Badiou, Quentin Meillassoux, Catherine Malabou, Michel Serres and Bruno Latour: this comparative, critical analysis shows the promises and perils of new French philosophy's reformulation of the idea of the human.  Meer

Christopher Watkin provides a true overview of Serres’ thinking. Using diagrams to explain Serres’ thought, the first half of the book carefully explores Serres’ ‘global intuition’and ‘figures of thought’.  Meer