Failed Images tries to understand photography in its difference from the reality it shows. It sets as a task to analyse the different ways the photograph transforms that which exists before the camera.  Meer

Sculpture as a specific medium is rarely investigated within a deeply cultural, philosophical context, nor within visual art itself. Whilst discussions about installation art, performance art, or other 3D art forms are widespread, the discourse on sculpture seems to be stuck in historical, material, or thematic frameworks.  Meer

Dedicated to art practices that mobilize the model of the archive, this book demonstrates the ways in which such 'archival artworks' probe the possibilities of what art is and what it can do.  Meer

Dankzij zijn grote technische kennis en het onbegrensde vakmanschap heeft de Nederlandse keramist Geert Lap (1951-2017) een oeuvre nagelaten dat wereldwijd gekoesterd wordt in menig museumcollectie en privéverzameling.  Meer

Thanks to his great technical know-how and boundless craftmanship, the Dutch ceramicist Geert Lap (1951-2017) left an oeuvre that is cherished around the world in many museums and private collections.  Meer

This is a remarkable and extensive monograph on the work of the Dutch artist and sculptor Marien Schouten (b. 1956, NL). Like a director, the artist was in complete control of the creative process, from the composition and autobiographical structure of the texts to the graphic design and layout of the book.  Meer

Sinds de #metoo-beweging zijn vormen van mannelijk seksueel geweld en machtsmisbruik op grote schaal onder de loep genomen. De focus op ‘toxic masculinity’ heeft invloed op onze perceptie van mannelijke seksualiteit, die het zelfbeeld en het zelfrespect van mannen aanzienlijk beïnvloedt.  Meer

Productive Archiving discusses a variety of problems archival organizations. It mainly focuses on the following three issues with archival organizations that are usually overlooked: first, the question of inclusion in or exclusion from the archive; second, the loss of individuality and specificity in the archive, the danger of homogenization; and third, that archiving may become a form of pigeonholing, boxing specific identities into a confined space.  Meer

Marjan Teeuwen (*1953, NL) creëert grootschalige architectonische installaties in gebouwen die na haar interventie worden ontmanteld. Ze sloopt en stript, grijpt in op de constructie en structuur en bouwt met het sloopmateriaal een nieuw artistiek beeld op.  Meer