‘Ontroerend boek over directrice die 600 joodse kinderen uit de crèche hielp onderduiken.’ – De Groene Venen Henriëtte Pimentel was bewaarschoolhoudster en werd aan het begin van de twintigste eeuw directrice van fröbelschool Cornelia.  Meer

Relations between theatre and state were seldom more fraught in France than in the latter part of the eighteenth and during the nineteenth century. The unique attraction of the theatre, the sole source of mass entertainment over the period, accounts in part for this: successive governments could not ignore these large nightly gatherings, viewing them with distrust and attempting to control them by every kind of device, from censorship of plays to the licensing of playhouses.  Meer

Relations between theatre and state were seldom more fraught in France than in the latter part of the eighteenth and during the nineteenth century. The unique attraction of the theatre, the sole source of mass entertainment over the period, accounts in part for this: successive governments could not ignore these large nightly gatherings, viewing them with distrust and attempting to control them by every kind of device, from censorship of plays to the licensing of playhouses.  Meer

This 1993 book explores the history of French theatre in the nineteenth century through its special role as an organized popular entertainment. Traditionally regarded as an elite art form, in post-Revolutionary France the stage began to be seen as an industry like any other and the theatre became one of the few areas of employment where women were in demand as much as men.  Meer

This 1993 book explores the history of French theatre in the nineteenth century through its special role as an organized popular entertainment. Traditionally regarded as an elite art form, in post-Revolutionary France the stage began to be seen as an industry like any other and the theatre became one of the few areas of employment where women were in demand as much as men.  Meer