`We Can Take It!' shows that the British remember the war in a peculiar way, thanks to a mix of particular images and evidence. Our memory has been shaped by material which is completely removed from historical reality.  Meer

A three-time National Book Award for Fiction winner, Saul Bellow is one of the most highly regarded American authors to emerge since World War II. His career produced 14 novels and novellas, two volumes of nonfiction, short story collections, plays and a book of collected letters.  Meer

This work examines the life and fiction of Charles Jackson, a pioneer gay writer who addressed taboo issues with insight and sensitivity. His stories about "outing", gay-bashing, molestation, and thrill killers are now more relevant in the 21st century than when they first appeared in the 1950s.  Meer

British Instructional Films was at the centre of a number of issues important to Britain and the Empire in the 1920s:  the memory and history of the Great War, national and imperial identities, the role of cinema as a shaper of attitudes, power relations between Britain and the USA and the nature of popular culture as an international contest.  Meer

This illustrated history analyses celluloid depictions of the IRA from the 1916 Easter Rising to the peace process of the 1990s. Topics include America's role in creating both the IRA and its cinematic image, the organisation's brief association with the Nazis, and critical reception of IRA films in Ireland, Britain and the United States.  Meer

Provides an extensive chronology and 175 entries about both George Orwell’s literary works and personal life. Also included are discussion questions and research topics, notable quotations by Orwell and an extensive bibliography of related sources.  Meer

`We Can Take It!' shows that the British remember the war in a peculiar way, thanks to a mix of particular images and evidence. Our memory has been shaped by material which is completely removed from historical reality.  Meer