This is the first comprehensive historical and technological study of the pianoforte based on important primary source material. Most histories of the piano begin with its invention by Bartolomeo Cristofori in Florence in about 1700: this study begins with the earliest fifteenth- and sixteenth-century manuscript sources and extends over Cristofori's rediscovery of the principle of the hammer action, the early exportation of Florentine pianofortes to prominent European courts, and the building of copies of these instruments in Portugal, Spain and Germany.  Meer

Berlioz's Orchestration Treatise is a classic textbook which has been used as a guide to orchestration and as a source book for the understanding both of Berlioz's music and of orchestral practice in the nineteenth century.  Meer

The clavichord, forerunner of the piano, was one of the most important instruments in Western keyboard history until the first decades of the nineteenth century.  Meer

This volume is one of the first to examine in detail the numerous violin treatises of the late-eighteenth and early-nineteenth centuries. It provides a scholarly historical and technical guide to violin pedagogical method, technique and performance practice during the most critical period in the history of the instrument.  Meer

This is an English translation of Tutor for Playing the Flute (1791) by Johann George Tromlitz. The most explicit of the eighteenth-century tutors for flute-playing, it now serves as a record of instrumental practice as well as a useful guide to the performance of German classical music.  Meer

Musica getutscht (Basel, 1511) is the earliest printed treatise on musical instruments in the West. Written by a priest and chapel singer named Sebastian Virdung, it provided rudimentary instruction on playing three instruments: the clavichord, the lute and the recorder.  Meer

Musica getutscht (Basel, 1511) is the earliest printed treatise on musical instruments in the West. Written by a priest and chapel singer named Sebastian Virdung, it provided rudimentary instruction on playing three instruments: the clavichord, the lute and the recorder.  Meer

How did medieval musicians learn to perform? How did they compose? What was their sense of the history and purpose of music? The Summa musice, a treatise on practical music from c.  Meer

David Rowland traces the history of piano pedalling from its beginnings in the eighteenth century to its first maturity in the middle of the nineteenth century and beyond.  Meer

How did medieval musicians learn to perform? How did they compose? What was their sense of the history and purpose of music? The Summa musice, a treatise on practical music from c.  Meer

Agricola published Introduction to the Art of Singing in Germany, in 1757, consisting of the 1723 treatise of the Italian singing teacher and castrato, Tosi, to which Agricola added his own running commentary.  Meer

This important 1990 book provides a comprehensive survey of English organ building during the most innovative fifty years in its history. Between 1820 and 1870 a number of influences combined to bring about a radical transformation in the design and use of English organs.  Meer

Hiller's Treatise on Vocal Performance and Ornamentation was published in Germany in 1780 and is an important manual on vocal technique and performance in the eighteenth century.  Meer

Dance played a major role in all French Baroque theatrical entertainments. Le Mariage de la Grosse Cathos, a short ballet performed at the court of Louis XIV, is of major importance, largely because it has survived complete in all its components - choreography, music, and text - and also because it uses a previously unknown dance notation system.  Meer

Agricola published Introduction to the Art of Singing in Germany, in 1757, consisting of the 1723 treatise of the Italian singing teacher and castrato, Tosi, to which Agricola added his own running commentary.  Meer

This book traces the development of the viol from its late medieval Spanish origins to the sixteenth century, when it became the most widely played bowed instrument in western Europe.  Meer

This study is a comprehensive assessment of J. S. Bach's use of articulation marks (i.e. slurs and dots) in the large body of primary sources. Dr Butt analyses the role of such markings within the compositional process, how they relate to the norms of articulation of the period, and how they might assist us in a deeper understanding and evaluation of Bach's style.  Meer

This important 1990 book provides a comprehensive survey of English organ building during the most innovative fifty years in its history. Between 1820 and 1870 a number of influences combined to bring about a radical transformation in the design and use of English organs.  Meer

This study is a comprehensive assessment of J. S. Bach's use of articulation marks (i.e. slurs and dots) in the large body of primary sources. Dr Butt analyses the role of such markings within the compositional process, how they relate to the norms of articulation of the period, and how they might assist us in a deeper understanding and evaluation of Bach's style.  Meer

This book describes instrumental music and its context in German society of the late middle ages - from about 1350 to 1520. Players at that time improvised, much like jazz musicians of our day, but because they did not use notated music, only scant remnants of their activity have survived in written sources, and much has been left obscure.  Meer