Suzuki is Japan's best-known director. He has been internationally acclaimed for his postmodern adaptations of classics by Nanboku, Euripides, Shakespeare and Chekhov since the 1970s, including The Trojan Women, King Lear and Three Sisters and, equally, for his powerful actor training system, which combines elements of Noh and Kabuki with Western realism.  Meer

From her own knowledge of Blin's rigorous working habits, from interviews with close associates, and Blin's own rare statements, production notes and drawings, Odette Aslan has pieced together the history of Blin's work as actor, critic, and director, his relationship with playwrights and actors, and how he struggled against obstacles to stage works by then unknown authors and bring out the peculiar qualities of the plays he chose.  Meer

This is an assessment of the work and influence as a director of Jacques Copeau (1879–1949), who has long been regarded as one of the fathers of twentieth-century French theatre.  Meer

Peter Brook is regarded as one of the most important and influential directors today. In this fascinating study, Albert Hunt and Geoffrey Reeves chronicle Brook's development beginning with his earliest productions and concluding with some of his most recent and innovative work.  Meer

First published in 1981, Michael Patterson's was the first book in any language to be devoted to the work of Germany's leading theatre director. Peter Stein's thoughtful and critical approach to a variety of dramatic texts – from Irish comedy to German classics, where his reputation largely rests – has resulted in a range of different acting and formal styles and some major textual adaptations.  Meer

This book is a revised and expanded version of Ingmar Bergman: Four Decades in the Theatre, by the same authors, published more than ten years ago. The developments that have occurred in the interim, clustered around Bergman's triumphant return to the Royal Dramatic Theatre in Stockholm after years of self-imposed exile, have profoundly altered the course of this extraordinary career.  Meer

Andrzej Wajda stands as one of the leading film-makers in contemporary European cinema, although his equally important theatrical achievements have remained less well-known.  Meer

Suzuki is Japan's best-known director. He has been internationally acclaimed for his postmodern adaptations of classics by Nanboku, Euripides, Shakespeare and Chekhov since the 1970s, including The Trojan Women, King Lear and Three Sisters and, equally, for his powerful actor training system, which combines elements of Noh and Kabuki with Western realism.  Meer

This is a full-length study of the renowned French theatre director Ariane Mnouchkine, and her company, the Théâtre du Soleil. Mnouchkine is recognized as one of the first women directors to achieve an international reputation and her productions, spanning from Shakespeare to contemporary drama, have been widely acclaimed as being in the forefront of twentieth-century theatre.  Meer

André Antoine, founder of the Théâtre Libre in 1887, was one of the initiators of the modern theatre. This full-length study of Antoine's work in English for more than sixty years is notable for its attention to the variousness of Antoine's remarkable career.  Meer

This is the first full-length study in any language of Bertolt Brecht's day-to-day work as a theatre director. Professor Fuegi has researched his subject extensively over many years, and this book is the result of interviews with Brecht's closest associates (including Helene Weigel, Angelika Hurwicz, Elisabeth Hauptmann and Hans Bunge), inspection of the unpublished typescripts recording several years of Brecht rehearsals at the Berlin Ensemble, and consultation of archival materials in Moscow, Berlin and Harvard University.  Meer

For at least the last half-century, Strehler has been an influential and integral part of European theatrical life; today he is most closely associated with the Teatro Piccolo in Milan, Italy's foremost repertory theatre.  Meer

This book traces the career of the Russian revolutionary theatre director, Vsevolod Meyerhold, from his early years as a founding member of the Moscow Art Theatre with Stanislavsky and Nemirovich-Danchenko, through his Symbolist period, his experiments with commedia dell'arte and other popular forms, to his demise in the Stalin era.  Meer

Max Reinhardt (1873–1943), one of the major theatre figures of the twentieth century, was among the first to establish the importance of the director in modern theatre.  Meer

For at least the last half-century, Strehler has been an influential and integral part of European theatrical life; today he is most closely associated with the Teatro Piccolo in Milan, Italy's foremost repertory theatre.  Meer

Robert Wilson, the leading American avant-garde theatre director, revolutionised the stage by making visual communication more important than words. His productions cut across the boundaries that traditionally have defined theatre, dance, opera and the visual arts to create a total work of art.  Meer