Samuel Beckett's 1976 Television play Ghost Trio is one of his most beautiful and mysterious works. It is also the play that most clearly demonstrates Beckett's imaginative and aesthetic engagement with the visual arts and the history of painting in particular.  Meer

Insufferable: Beckett, Gender and Sexuality rethinks the role of gender politics in the oeuvre, demonstrates Beckett's historical importance in the development of the 'antisocial thesis' in queer theory, and shows the work's attachment to sexuality as temporarily consolatory but ultimately unbearable.  Meer

The aim of this Element is to offer a reassessment of Beckett's alleged Cartesianism using the theoretical framework of extended cognition – a cluster of present-day philosophical theories that question the mind's brain-bound nature and see cognition primarily as a process of interaction between the human brain and the environment it operates in.  Meer

Much has been written on Beckett and Sade, yet nothing systematic has been produced. This Element is systematic by adopting a chronological order, which is necessary given the complexity of Beckett's varying assessments of Sade.  Meer

Samuel Beckett's Geological Imagination addresses the ubiquity of earthy objects in Beckett's prose, drama and poetry, exploring how mineral and archaeological objects bear upon the themes, narrative locus, and sensibilities of Beckett's texts in surprisingly varied ways.  Meer

Drawing on evidence from his published works, manuscripts, and correspondence, Samuel Beckett and Cultural Nationalism explores Beckett's engagement with the theme of cultural nationalism throughout his writing life, revealing the various ways in which he sought to challenge culturally nationalist conceptions of art and literature, while never embracing a cosmopolitan approach.  Meer

Beckett's work is somewhat out of step with the logic of commemoration and celebration. Festival, with its association with celebration, spectacle, and publicity, would not seem the ideal vehicle for Beckett's work.  Meer

This Element draws on the concept of ecosystems to investigate selected Beckett works across different media which present worlds where the human does not occupy a privileged place in the order of creation: rather Beckett's human figures are trapped in a regulated system in which they have little agency.  Meer

How do twenty-first century theatre practitioners negotiate the dynamics of tradition and innovation across the works of Samuel Beckett? Beckett's own tendencies toward fluidity of genre, iteration/repetition, and collaboration – modes that also define the 'experimental' – allow for greater openness than is often assumed.  Meer